
Microplanes—or any fine rasp-style grater—has become the tool of choice for Chefs to remove the outer, aromatic layer of the peel without dragging in the bitter white pith. With the right technique and a sharp Microplane, zesting becomes a quick, precise way to layer in fresh, volatile citrus oils and bring refinement to any dish.
Microplanes are much more efficient than graters or peelers and save time.

Zesting Citrus Fruit
Citrus zest is a simple ingredient used to add brightness, depth and complexity to a dish. The citrus zest is very different than the juice.
In professional kitchens, I like to use the zest to lift vinaigrettes, flavor marinades for meat, enrich pastry creams, and add a clean top note to seafood and vegetable preparations. The key is understanding how to remove just the outer, aromatic layer while avoiding the bitter pith beneath. This technique is straightforward, but when done with intention, it brings a level of finesse and flavor that separates a good dish from a great one.
Prep Time: 5 min
Cooking Time: 5 min
Yield: 1 Tbsp
1 ea. Orange, lemon, lime etc...
How to zest



Zesting an orange, lemon or lime is fairly simple-be careful not to rub/zest too deeply into the skin. Always wash and dry the citrus fruit, zest (scrape) the outer skin only, the wight pithe under the skin is bitter.
I saw Martha Stewart juicing lemons for a preserved lemon recipe and purchased two juicers... green and yellow. Very fun to use.
The zest can be used in recipes, relishes, marinades uncooked or blanched in hot water and then shocked in cool water.
Zests can be cooked in recipes like this compote as well.

As chefs, we spend years mastering sauté work. I remember my early days working the sauté station for lunch in a French restaurant in NYC. We served over one hundred guests in an hour-and the food was excellent — a dozen hot pans on the flat top, stocks simmering, mise en place of freshly chopped herbs, minced shallots, butter for mounting into sauces à la minute. There is rhythm to good sauté cooking. You learn quickly that great sauté work is not about rushing — it is about organization and control .

Our Easter and Christmas meals were feasts... my mother's family all met at Aunt Flora's home in Jersey City to enjoy and celebrate the holidays. Dinner began with platters of fresh mozzarella, roasted peppers, olives, Italian bread, then a pasta course (manicotti or lasagna for the religious holidays), a roast or sausages with plenty of vegetables and traditional Italian desserts with dark coffee.We ate Italian Easter Wheat Pie one day each year—and it was never store-bought. My Aunts brought Easter cookies and baked goods-the wheat pie was my favorite. I loved the slight 'bite' of the wheat and flavors of cinnamon, vanilla and citrus. My father sometimes let me have a sip of his espresso with the dessert. I'm not sure if my mother used lard for the pie crust-she was a fan of butter and Crisco but the crust was always flaky.

There are certain dishes that stay with you—not just for their flavor, but for what they represent. For me, roasting a leg of lamb over Pommes boulangère is one of those meals. I don't recall having lamb at any occasions growing up so this was a dish that I proudly introduced to our family. As a young cook, it was something I could prepare with limited experience, and it provided deeply satisfying results. The lamb roasts in the oven over a bed of potatoes, onions, and garlic, allowing its natural juices and fat to baste the vegetables below. It's actually a simple preparation but becomes a complete, delicious meal—the potatoes absorbing flavor and becoming just as important as the roast itself. These days I'm developing delicious recipes using spice blends such as Ras el hanout, Baharat, Za'atar, Togarashi and even Harissa. I also love roasting leg of lamb outdoors on a grill or rotisserie. I like the subtle smokiness from applewood or dried herbs when I'm roasting lamb outdoors.

There are certain dishes that stay with you—not just for their flavor, but for what they represent. For me, Pommes boulangère is one of those dishes. As a young cook, it was a delicious meal I could prepare for my family with my limited culinary experience. I often return to this preparation when roasting whole chicken, pork, or lamb—letting the potatoes, onions, and garlic absorb the natural juices from the protein as it cooks. The potatoes becomes more than a side dish; it’s the foundation of the meal.

There are countless versions of Potatoes au gratin , many of them heavy with cheese. I prefer a more restrained approach—using little or no cheese—so the flavor of the potatoes remains the focus rather than being masked. Milk produces a lighter, more delicate gratin, while light or heavy cream creates a richer, more structured dish. Both are valid—it simply depends on the desired outcome. One constant, however, is nutmeg. Used sparingly, it acts as a quiet “secret weapon,” adding depth without calling attention to itself. This recipe is inspired by Xavier LeRoux, one of the finest chefs I’ve had the privilege to work with. His method includes an extra step—gently simmering the potatoes in cream before baking—which yields a noticeably superior result. The potatoes begin to release their starch into the cream early, ensuring a more uniform texture and a fully integrated dish from the first bite to the last.

There are plenty of brownie recipes—and then there is the one that lives in memory. This is the only brownie recipe I bake, from Julia Child, whose influence reached far beyond French cuisine and into the home kitchens of passionate bakers like my mother. A devoted admirer, she baked these brownies often—usually for the dessert trolley at my restaurant. We featured a brownie freeze... brownie cubes with homemade vanilla ice cream, warm melted chocolate and freshly whipped cream-amazing! For me, this recipe is more than a classic—it’s a reflection of how great cooking is passed down: through admiration, repetition, and a deep love of craft.

We ate Irish soda bread one day each year—and it was never store-bought. Soda bread wasn’t part of our cultural lineage, but it earned its place through something more universal: respect for tradition. My mother was not an occasional baker— growing up, her baking centered on Italian traditions: special Christmas cookies, the Vigna family birthday cake, and beautifully braided Easter breads that reflected heritage. Later, like many serious home bakers of her generation, she was influenced by Julia Child . That influence expanded her repertoire into classic European pastry—Paris-Brest, pound cakes, even German chocolate cake. The iconic cross cut into the top of the loaf is often said to “let the fairies out,” though in professional kitchens we recognize its functional role: allowing heat to penetrate and the loaf to expand evenly during baking.



